But above all, there was the voice – a special tenor voice in the classic Italian tradition which, on disc, goes back to Enrico Caruso, but which has been an essential part of Italian musical culture for centuries. What made him so special? There was a great personality, of course – one to which the broadest public could easily respond. In terms of prestige and fame, no other Italian tenor of his time could touch him. But by then, Pavarotti was already nearly three decades into a career that had seen him headline at the world’s major opera houses. It was after the 1990 FIFA World Cup in Italy, and the Three Tenors concert which followed, that he assumed his position as the most famous operatic artist of his day, with a gigantic worldwide following including millions for whom opera was otherwise a closed book. Pavarotti: What made him so special?įor many years Luciano Pavarotti represented to the wider popular imagination not only the tenor voice but also the art of opera itself. Listen to the Best of Pavarotti on Apple Music and Spotify. However many tenors one listens to, and indeed loves, there’s always a special excitement and security to be encountered in hearing Pavarotti’s distinctive and individual early performances. His voice’s rich character was there from the start, as these early recordings vividly demonstrate. We explore the first decade of this relationship, an era of Puccini, Donizetti, and Verdi, and feature essential recordings, including 'Nessun Dorma!' from Puccini's Turandot. On this edition of Houston Matters, from smaller towns to national parks, we talk about some of the trips Houstonians can fit into a day.Luciano Pavarotti enjoyed a 45-year recording career with Decca, and the result is a unique musical legacy.
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Day trips are a great way to get out and explore areas near Houston without packing a full bag."Nessun Dorma" from Turandot by Giacomo Puccini, performed by the Texas TenorsĪudio production by Todd "Tenortastic" Hulslander with scads of squillo from Dacia Clay."Nessun Dorma" from Turandot by Giacomo Puccini, performed by Franco Corelli.La Boheme by Giacomo Puccini, performed Andrea Bocelli."Vesti la Giubba" from Pagliacci by Ruggero Leoncavallo, performed by Luciano Pavarotti."Principe più non se" from La Cenerentola by Gioachino Rossini, performed by Juan Diego Florez with Los Angeles Philharmonic.Otello, by Giuseppe Verdi, performed by Placido Domingo.Tosca, by Giacomo Puccini, performed by Luciano Pavarotti (James Levine on piano)."Celeste Aida", by Giuseppe Verdi, performed by Giuseppe Giacomini."La donna è mobile", by The Three Tenors, from the Three Tenors in Concert, Los Angeles (1994).
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We also learn about "classical crossover" music and why it is a gateway drug, turning innocent classical music newbies into addicts by the thousands.īy the way, if you like this episode, check out the Texas Tenors on Houston Public Media TV 8 Monday Aug(local PBS show times here). How, exactly, does one know that he is a "light lyric tenor," or a "Spinto tenor," or a "dramatic tenor"? Is there like, a Tenor Task Team? Two members of the Texas Tenors – JC Fisher and John Hagen – teach the types of tenor to us. Courtesy of the artists' website The Texas Tenors
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